Japanese kaiju (or giant monster) movies have been part of my pop culture since I was a kid, and my older brothers watched the various Godzilla and King Kong movies. Though I probably got the most enjoyment from the Gamera movies as they appeared on Mystery Science Theater 3000. Â Even without Pacific Rim appearing on the scene, you knew there’d be a ‘reboot’ of Godzilla for American audiences, the question is, would it be better than the deplorable 1998 version? Â For me, it’s a qualified yes.
The story focuses on the family of Joe Brody, played by Bryan Cranston. Â Joe and his wife work at a Japanese nuclear plant experiencing some odd, rhythmic seismic activity. Â Joe sends Sandra (criminally underused Juliette Binoche) and a team to investigate the sensors giving the reports when disaster strikes. Â Joe is forced to seal his wife and her team inside to protect everyone else from an explosion. Â Cranston and Binoche sell the heck out of this, and it works.
Fast-forward 15 years, and the Brodys’ son Ford is making a life for himself as a Navy man, in Explosive Ordinance Disposal. Â That won’t come in handy or anything! Â Unfortunately, his dad hasn’t been able to let go of what happened, getting pinched trying to sneak in to the quarantined area. Â Joe convinces Ford to go back one last time to secure data he recorded that will prove his crackpot theory of what happened right…and they both get caught. Â This time, they are taken into a secret facility where scientists (including Ken Watanabe, who I could listen to read the phone book) are studying a massive chrysalis. Â Being movie scientists, they accidentally hatch the thing and the first MUTO lays waste to the facility (and Joe). Â MUTO is an acronym, mind you, and not just something that sounds like what you’d name a monster.
The survivors at the base get taken to an American aircraft carrier which is trying to follow the beast.  But never fear, Godzilla is here!  Dr. Serizawa (Ken Watanabe) has a theory that Godzilla is nature’s way of balancing things out.  He rises from the depths to smack up anything that might wreck Mother Nature, other than us, I guess.  Maybe we’re next.  Here is where things go sideways a bit for me.  There’s two ways a movie like this can go.  One, you go full on MONSTERS WOOO mode, or two, you focus on the people surviving the crazy stuff.  This movie never made a choice.  It didn’t focus on the fights – more than once it cut away early from a fight or showed it small on a TV people were watching.  On the other hand, we didn’t feel much for our stalwart hero other than “Gee, it’s really lucky that a bomb disposal guy is just hanging out right where he’s needed”.  It did lead to one scene where Godzilla falls to the ground, and our hero Ford shares a look with him like “Ain’t this something?  Shoulda stayed in bed!”, which had me laughing out loud.
Anyway, this review is late, but I did enjoy the movie. Â It certainly is a solid take on the classic Japanese version of the monster, and does well to ignore the American Godzilla of the late 90s. Â Should be at your second-run theaters soon.
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